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Meridional. Chilean Journal of Latin American Studies is pleased to invite you to participate in the dossier “Relevance of Latin American Marxism: Thinking from, with, and beyond Michael Löwy’s work”, which consists in our 21st volume, to be published in October 2023. 

Con respeto a Califé: carnaval, teatro y negritud dominicana

Authors

  • Raj Gopal Chetty

Abstract

Dominican plays that rely on carnival build bridges to Africanness and blackness through literary and perfomative techniques of evasion: masking, humor, irony, satire. This essay examines F. Disla’s 1985 play, Ramón Arepa, for its incorporation of the movements—both figurative and literal—associated with Afro-creolized carnival traditions. Disla’s play routes its carnivalesque humor and masking specifically through Califé, Dominican carnival’s social critic par excellence. Situating Ramón Arepa within a wider Caribbean theater and performance tradition, the paper turns to Disla’s use of Califé to argue for the need to approach Dominican blackness with a different set of eyes and ears, to attempt to notice the way Dominican blackness manifests in literal, aesthetic, and performative movement

Keywords:

Dominican Republic, black diaspora, theater, carnival